Music 6, week 3: recording and sampling

Concepts:
vinyl, tape, and digital recording
speed change, time reversal, editing, montage, looping

Music on reserve:
Luciano Berio, Thema (Ommagio a Joyce) (1958; 6:12)
Francois Bayle, L'oiseau-chanteur (1963; 1:19)
Jean-Claude Risset, Sud (1985; 23:56)
Pablo Cetta, ...que me hiciste mal... (1992; 7:57)
Paul Koonce, Pins (1996; 13:23)
John Stevens, Barrage #1 (1996, 3:01)
Marc Ainger, Shatter (1998; 8:00)

Reading:

Tape: the Sounds of Instruments Never Built (chapter 4 of Jaime Oliver's PhD dissertation, A Computer Music Instrumentarium)