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Complex numbers
Complex numbers are
written as:
where
and
are real
numbers and
. (In this book we'll use
capital letters to denote complex numbers and lowercase for real
numbers.) Since a complex number has two real components, we use a
Cartesian plane (in place of a number line) to graph it, as shown
in Figure 7.1. The quantities
and
are called the real and imaginary parts of
, written
as:
Figure 7.1: A number,
, in the complex plane. The axes are for the
real part
and the imaginary part
.
 |
If
is a complex number, its
magnitude, written as
, is just the distance in the
plane from the origin to the point
:
and its argument, written as
, is the angle from the
positive
axis to the point
:
If we know the magnitude and argument of a complex
number (say they are
and
,
for instance) we can reconstruct the real and imaginary
parts:
A complex number may be written in terms of its
real and imaginary parts
and
(this is
called rectangular form), or
alternatively in polar form, in
terms of
and
:
The rectangular and polar formulations are
equivalent, and the equations above show how to compute
and
from
and
and vice versa.
The main reason we use complex numbers in
electronic music is because they magically encode sums of angles.
We frequently have to add angles together in order to talk about
the changing phase of an audio signal as time progresses (or as it
is shifted in time, as in this chapter). It turns out that, if you
multiply two complex numbers, the argument of the product is the
sum of the arguments of the two factors. To see how this happens,
we'll multiply two numbers
and
, written in polar form:
giving:
Here the minus sign in front of the
term comes
from multiplying
by itself, which gives
. We can spot the cosine and sine summation formulas in the
above expression, and so it simplifies to:
And so, by inspection, it follows that the product
has magnitude
and argument
.
We can use this property of complex numbers to
add and subtract angles (by multiplying and dividing complex
numbers with the appropriate arguments) and then to take the cosine
and sine of the result by extracting the real and imaginary parts
of the result.
Subsections

Next: Sinusoids as geometric series Up:
Time
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Miller Puckette 2005-02-21