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Complex numbers
Complex
numbers are written as:
where and are real numbers and . (In this book we'll use
capital letters to denote complex numbers and lowercase for real numbers.)
Since a complex number has two real components, we use a Cartesian plane (in
place of a number line) to graph it, as shown in Figure 7.1. The
quantities and are called the
real
and
imaginary parts of , written as:
Figure 7.1:
A number, , in the complex plane. The axes are for the real
part and the imaginary part .
|
If is a complex number, its
magnitude,
written as , is just the distance in the plane from the origin to the
point :
and its
argument,
written as ,
is the angle from the positive axis to the point :
If we know the magnitude and argument of a complex number (say they are and
, for instance) we can reconstruct the real and imaginary parts:
A complex number may be written in terms of its real and imaginary parts
and (this is called
rectangular form), or alternatively in
polar form,
in terms of and :
The rectangular and polar formulations are equivalent, and the equations above
show how to
compute and from and and vice versa.
The main reason we use complex numbers in electronic music is because they
magically encode sums of angles. We frequently have to add angles together in
order to talk about the changing phase of an audio signal as time progresses
(or as it is shifted in time, as in this chapter). It turns out
that, if you multiply two complex numbers, the argument of the product is
the sum of the arguments of the two factors. To see how this happens,
we'll multiply two numbers and , written in polar form:
giving:
Here the minus sign in front of the
term
comes from multiplying by itself, which gives . We can spot the
cosine and sine summation formulas in the above expression, and so it simplifies
to:
And so, by inspection, it follows that the product
has magnitude
and argument
.
We can use this property of complex numbers to add and subtract angles (by
multiplying and dividing complex numbers with the appropriate arguments) and
then to take the cosine and sine of the result by extracting the real and
imaginary parts of the result.
Subsections
Next: Sinusoids as geometric series
Up: Time shifts
Previous: Time shifts
Contents
Index
Miller Puckette
2005-04-01