Before making a quantitative analysis of the Fourier series of the classical waveforms, we pause to make two useful observations about symmetries in waveforms and the corresponding symmetries in the Fourier series. First, a Fourier series may consist only of even or odd-numbered harmonics; this will be reflected in symmetries comparing a waveform to its displacement by half a cycle. Second, the Fourier series may contain only real- or pure imaginary-valued coefficients (corresponding to the cosine or sine functions). This is reflected in symmetries comparing the waveform to its reversal in time.
In this section we will assume that our waveform
has an integer period
, and furthermore, for
simplicity, that
is even (if it isn't we can just
up-sample by a factor of two). We know from chapter 9 that any
(real or complex valued) waveform
is equal
to its Fourier series (whose coefficients we'll denote by
):
To analyze the first symmetry we delay the
signal
by a half-cycle. Since
we get:
Furthermore, if
happens to
equal itself shifted a half cycle, that is, if
, then looking at the
definition of
we get
and
. This implies that, in this case,
has only even numbered harmonics.
Indeed, this should be no surprise, since in this case
would have to repeat every
samples,
so its fundamental frequency is twice as high than in general for
period
.
In the same way, if
, then
can have only odd-numbered harmonics. This allows us easily to
split any desired waveform into its even- and odd-numbered
harmonics. (This is equivalent to using a comb filter to extract
even or odd harmonics; see Chapter 7.)
For the second symmetry we compare
with its time reversal,
(or.
equivalently, since
repeats every
samples, with
). The Fourier series
becomes: