Before making a quantitative analysis of the Fourier series of the classical waveforms, we pause to make two useful observations about symmetries in waveforms and the corresponding symmetries in the Fourier series. First, a Fourier series may consist only of even or odd-numbered harmonics; this will be reflected in symmetries comparing a waveform to its displacement by half a cycle. Second, the Fourier series may contain only real- or pure imaginary-valued coefficients (corresponding to the cosine or sine functions). This is reflected in symmetries comparing the waveform to its reversal in time.
In this section we will assume that our waveform has an integer period , and
furthermore, for simplicity, that
is even (if it isn't we can just
up-sample by a factor of two). We know from chapter 9 that any (real or
complex valued) waveform
is equal to its Fourier series (whose
coefficients we'll denote by
):
To analyze the first symmetry we delay the signal by a half-cycle. Since
we get:
Furthermore, if happens to equal itself shifted a half cycle, that is, if
, then looking at the definition of
we get
and
. This implies that, in this case,
has only
even numbered harmonics. Indeed, this should be no surprise, since in this
case
would have to repeat every
samples, so its fundamental
frequency is twice as high than in general for period
.
In the same way, if
, then
can have only odd-numbered
harmonics. This allows us easily to split any desired waveform into its
even- and odd-numbered harmonics. (This is equivalent to using a comb filter
to extract even or odd harmonics; see Chapter 7.)
For the second symmetry we compare with its time reversal,
(or.
equivalently, since
repeats every
samples, with
). The
Fourier series becomes: