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Index
- Bal03
-
Mark Ballora.
Essentials of Music Technology.
Prentice Hall, Upper Saddle River, New Jersey, 2003.
- Ble01
-
Barry Blesser.
An interdisciplinary synthesis of reverberation viewpoints.
Journal of the Audio Engineering Society, 49(10):867-903,
2001.
- Bou00
-
Richard Boulanger, editor.
The Csound book.
MIT Press, Cambridge, Massachusetts, 2000.
- Cho73
-
John Chowning.
The synthesis of complex audio spectra by means of frequency
modulation.
Journal of the Audio Engineering Society, 21(7):526-534, 1973.
- Cho89
-
John Chowning.
Frequency modulation synthesis of the singing voice.
In Max V. Mathews and John R. Pierce, editors, Current
Directions in Computer Music Research, pages 57-64. MIT Press, Cambridge,
1989.
- DJ85
-
Charles Dodge and Thomas A. Jerse.
Computer music : synthesis, composition, and performance.
Schirmer, New York, 1985.
- DL97
-
Mark Dolson and Jean Laroche.
About this phasiness business.
In Proceedings of the International Computer Music Conference,
pages 55-58, Ann Arbor, 1997. International Computer Music Association.
- GM77
-
John M. Grey and James A. Moorer.
Perceptual evaluations of synthesized musical instrument tones.
Journal of the Acoustical Society of America, 62:454-462,
1977.
- Har87
-
William M. Hartmann.
Digital waveform generation by fractional addressing.
Journal of the Acoustical Society of America, 82:1883-1891,
1987.
- III03
-
Julius Orion Smith III.
Mathematics of the Discrete Fourier Transform (DFT), with Music
and Audio Applications.
W3K Publishing, Menlo Park, California, 2003.
- KS83
-
Kevin Karplus and Alex Strong.
Digital synthesis of plucked-string and drum timbres.
Computer Music Journal, 7(2):43-55, 1983.
- Leb77
-
Marc Lebrun.
A derivation of the spectrum of fm with a complex modulating wave.
Computer Music Journal, 1(4):51-52, 1977.
- Leb79
-
Marc Lebrun.
Digital waveshaping synthesis.
Journal of the Audio Engineering Society, 27(4):250-266, 1979.
- Mat69
-
Max V. Mathews.
The Technology of Computer Music.
MIT Press, Cambridge, Massachusetts, 1969.
- Moo90
-
F. Richard Moore.
Elements of Computer Music.
Prentice Hall, Englewood Cliffs, second edition, 1990.
- PB87
-
T. W. Parks and C.S. Burrus.
Digital filter design.
Wiley, New York, 1987.
- Puc95a
-
Miller S. Puckette.
Formant-based audio synthesis using nonlinear distortion.
Journal of the Audio Engineering Society, 43(1):224-227, 1995.
- Puc95b
-
Miller S. Puckette.
Phase-locked vocoder.
In IEEE ASSP Workshop on Applications of Signal Processing to
Audio and Acoustics, 1995.
- Puc01
-
Miller S. Puckette.
Synthesizing sounds with specified, time-varying spectra.
In Proceedings of the International Computer Music Conference,
pages 361-364, Ann Arbor, 2001. International Computer Music Association.
- Puc05
-
Miller S. Puckette.
Phase bashing for sample-based formant synthesis.
In Proceedings of the International Computer Music Conference,
pages ??-??, Ann Arbor, 2005. International Computer Music Association.
- Reg93
-
Phillip A. Regalia.
Special filter design.
In Sanjit K. Mitra and James F. Kaiser, editors, Handbook for
digital signal processing, pages 907-978. Wiley, New York, 1993.
- RM69
-
Jean-Claude Risset and Max V. Mathews.
Analysis of musical instrument tones.
Physics Today, 22:23-40, 1969.
- RMW02
-
Thomas D. Rossing, F. Richard Moore, and Paul A. Wheeler.
The Science of Sound.
Addison Wesley, San Francisco, third edition, 2002.
- Roa01
-
Curtis Roads.
Microsound.
MIT Press, Cambridge, Massachusetts, 2001.
- Sch77
-
Bill Schottstaedt.
Simulation of natural instrument tones using frequency modulation
with a complex modulating wave.
Computer Music Journal, 1(4):46-50, 1977.
- Ste96
-
Kenneth Steiglitz.
A Digital Signal Processing Primer.
Addison-Wesley, Menlo Park, California, 1996.
- Str85
-
John Strawn, editor.
Digital Audio Signal Processing.
William Kaufmann, Los Altos, California, 1985.
Miller Puckette
2006-03-03