Bibliography

Bal03

Mark Ballora.
Essentials of Music Technology.
Prentice Hall, Upper Saddle River, New Jersey, 2003.

Ble01

Barry Blesser.
An interdisciplinary synthesis of reverberation viewpoints.
Journal of the Audio Engineering Society, 49(10):867-903, 2001.

Bou00

Richard Boulanger, editor.
The Csound book.
MIT Press, Cambridge, Massachusetts, 2000.

Cha80

Hal Chamberlin.
Musical applications of microprocessors.
Hayden, Rochelle Park, N.J., 1980.

Cho73

John Chowning.
The synthesis of complex audio spectra by means of frequency modulation.
Journal of the Audio Engineering Society, 21(7):526-534, 1973.

Cho89

John Chowning.
Frequency modulation synthesis of the singing voice.
In Max V. Mathews and John R. Pierce, editors, Current Directions in Computer Music Research, pages 57-64. MIT Press, Cambridge, 1989.

DJ85

Charles Dodge and Thomas A. Jerse.
Computer music : synthesis, composition, and performance.
Schirmer, New York, 1985.

DL97

Mark Dolson and Jean Laroche.
About this phasiness business.
In Proceedings of the International Computer Music Conference, pages 55-58, Ann Arbor, 1997. International Computer Music Association.

GM77

John M. Grey and James A. Moorer.
Perceptual evaluations of synthesized musical instrument tones.
Journal of the Acoustical Society of America, 62:454-462, 1977.

Har87

William M. Hartmann.
Digital waveform generation by fractional addressing.
Journal of the Acoustical Society of America, 82:1883-1891, 1987.

III03

Julius Orion Smith III.
Mathematics of the Discrete Fourier Transform (DFT), with Music and Audio Applications.
W3K Publishing, Menlo Park, California, 2003.

KS83

Kevin Karplus and Alex Strong.
Digital synthesis of plucked-string and drum timbres.
Computer Music Journal, 7(2):43-55, 1983.

Leb77

Marc Lebrun.
A derivation of the spectrum of fm with a complex modulating wave.
Computer Music Journal, 1(4):51-52, 1977.

Leb79

Marc Lebrun.
Digital waveshaping synthesis.
Journal of the Audio Engineering Society, 27(4):250-266, 1979.

Mat69

Max V. Mathews.
The Technology of Computer Music.
MIT Press, Cambridge, Massachusetts, 1969.

Moo90

F. Richard Moore.
Elements of Computer Music.
Prentice Hall, Englewood Cliffs, second edition, 1990.

PB87

T. W. Parks and C.S. Burrus.
Digital filter design.
Wiley, New York, 1987.

Puc95a

Miller S. Puckette.
Formant-based audio synthesis using nonlinear distortion.
Journal of the Audio Engineering Society, 43(1):224-227, 1995.

Puc95b

Miller S. Puckette.
Phase-locked vocoder.
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 1995.

Puc01

Miller S. Puckette.
Synthesizing sounds with specified, time-varying spectra.
In Proceedings of the International Computer Music Conference, pages 361-364, Ann Arbor, 2001. International Computer Music Association.

Puc05

Miller S. Puckette.
Phase bashing for sample-based formant synthesis.
In Proceedings of the International Computer Music Conference, pages 733-736, Ann Arbor, 2005. International Computer Music Association.

Reg93

Phillip A. Regalia.
Special filter design.
In Sanjit K. Mitra and James F. Kaiser, editors, Handbook for digital signal processing, pages 907-978. Wiley, New York, 1993.

RM69

Jean-Claude Risset and Max V. Mathews.
Analysis of musical instrument tones.
Physics Today, 22:23-40, 1969.

RMW02

Thomas D. Rossing, F. Richard Moore, and Paul A. Wheeler.
The Science of Sound.
Addison Wesley, San Francisco, third edition, 2002.

Roa01

Curtis Roads.
Microsound.
MIT Press, Cambridge, Massachusetts, 2001.

Sch77

Bill Schottstaedt.
Simulation of natural instrument tones using frequency modulation with a complex modulating wave.
Computer Music Journal, 1(4):46-50, 1977.

Ste96

Kenneth Steiglitz.
A Digital Signal Processing Primer.
Addison-Wesley, Menlo Park, California, 1996.

Str85

John Strawn, editor.
Digital Audio Signal Processing.
William Kaufmann, Los Altos, California, 1985.

Str95

Allen Strange.
Electronic music; systems, techniques, and controls.
W. C. Brown, Dubuque, Iowa, 1995.