Before making a quantitative analysis of the Fourier series of the classical waveforms, we pause to make two useful observations about symmetries in waveforms and the corresponding symmetries in the Fourier series. First, a Fourier series might consist only of even or odd-numbered harmonics; this is reflected in symmetries comparing a waveform to its displacement by half a cycle. Second, the Fourier series may contain only real-valued or pure imaginary-valued coefficients (corresponding to the cosine or sine functions). This is reflected in symmetries comparing the waveform to its reversal in time.
In this section we will assume that our waveform has an integer
period
, and furthermore, for simplicity, that
is even (if it isn't we can just up-sample by
a factor of two). We know from Chapter 9 that any (real or complex
valued) waveform
can be written as a Fourier
series (whose coefficients we'll denote by
):
To analyze the first symmetry we delay the signal
by a half-cycle. Since
we get:
Furthermore, if
happens to be equal to
itself shifted a half cycle, that is, if
, then (looking at the
definitions of
and
) we get
and
.
This implies that, in this case,
has only even
numbered harmonics. Indeed, this should be no surprise, since in
this case
would have to repeat every
samples, so its fundamental frequency is
twice as high as normal for period
.
In the same way, if
], then
can have only odd-numbered harmonics. This allows us easily to
split any desired waveform into its even- and odd-numbered
harmonics. (This is equivalent to using a comb filter to extract
even or odd harmonics; see Chapter 7.)
To derive the second symmetry relation we compare
with its time reversal,
(or,
equivalently, since
repeats every
samples, with
). The Fourier series
becomes:
So if
satisfies
the Fourier series consists of cosine terms only; if
it consists of sine terms only; and as before we
can decompose any
(that repeats every
samples) as a sum of the two.