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Complex numbers
Complex numbers are written
as:
where
and
are real numbers and
. (In this book we'll use capital
letters to denote complex numbers and lowercase for real numbers.)
Since a complex number has two real components, we use a Cartesian
plane (in place of a number line) to graph it, as shown in Figure
7.1. The quantities
and
are called the real and imaginary parts of
, written
as:
Figure 7.1: A number,
, in the complex plane. The axes are for the
real part
and the imaginary part
.
 |
If
is a complex number, its magnitude, written as
,
is just the distance in the plane from the origin to the point
:
and its argument, written as
, is the angle from the positive
axis to the point
:
If we know the magnitude and argument of a complex number (say they
are
and
, for instance)
we can reconstruct the real and imaginary parts:
A complex number may be written in terms of its real and imaginary
parts
and
(this is called
rectangular form), or
alternatively in polar form, in
terms of
and
:
The rectangular and polar formulations are equivalent, and the
equations above show how to compute
and
from
and
and vice
versa.
The main reason we use complex numbers in electronic music is
because they magically encode sums of angles. We frequently have to
add angles together in order to talk about the changing phase of an
audio signal as time progresses (or as it is shifted in time, as in
this chapter). It turns out that, if you multiply two complex
numbers, the argument of the product is the sum of the arguments of
the two factors. To see how this happens, we'll multiply two
numbers
and
, written in polar
form:
giving:
Here the minus sign in front of the
term comes
from multiplying
by itself, which gives
. We can spot the cosine and sine summation formulas in the
above expression, and so it simplifies to:
And so, by inspection, it follows that the product
has magnitude
and
argument
.
We can use this property of complex numbers to add and subtract
angles (by multiplying and dividing complex numbers with the
appropriate arguments) and then to take the cosine and sine of the
result by extracting the real and imaginary parts of the
result.
Subsections

Next: Sinusoids as geometric series Up:
Time
shifts Previous: Time shifts Contents
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Miller Puckette 2006-03-03