Patch E04.difference.tone.pd(Figure 5.11) introduces waveshaping, demonstrating the nonlinearity of the process. Two sinusoids (300 and 225 Hz, or a ratio of 4 to 3) are summed and then clipped, using a new object class:
:
signal clipper. When the signal lies between the limits specified by the
arguments to the clip~ object, it is passed through unchanged; but
when it falls below the lower limit or rises above the upper limit, it is
replaced by the lower or upper limit, respectively. The effect of
clipping a sinusoidal signal was shown graphically in Figure 5.6.
As long as the amplitude of the sum of sinusoids is less than 50 percent, the
sum can't exceed one in absolute value and the clip~ object passes the
pair of sinusoids through unchanged to the output. As soon as the amplitude
exceeds 50 percent, however, the nonlinearity of the clip~ object brings
forth distortion products (at frequencies 
for integers 
and
), all of which happening to be multiples of 75, give rise to a tone whose
fundamental is 75. Seen another way, the shortest common period of the
two sinudusoids is 1/75 second (which is four periods of the 300 Hx, tone and
three periods of the 225 Hz, tone), so the result has period 1/75 second.
The 225 Hz. tone in the patch may be varied. If it is moved slightly away from 225, a beating sound results. Other values may find other common subharmonics, and still others may give rise to rich, inharmonic tones.
