1. Puckette, M., Vercoe, B. and Stautner, J., 1981. "A real-time music11 emulator," Proceedings, International Computer Music Conference. (Abstract only.) San Francisco: International Computer Music Association, p. 292.
2. Stautner, J., Vercoe, B., and Puckette, M. 1981. "A four-channel reverberation network," Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 265-279.
3. Stautner, J. and Puckette, M. 1982. "Designing Multichannel Reverberators," Computer Music Journal 3(2), (pp. 52-65.) Reprinted in The Music Machine, ed. Curtis Roads. Cambridge, The MIT Press, 1989. (pp. 569-582.) (Scanned to PDF; 68 MB)
4. Puckette, M., 1983. "MUSIC-500: a new, real-time Digital Synthesis system." International Computer Music Conference. (Abstract only.) San Francisco: International Computer Music Association.
5. Puckette, M. 1984. "The 'M' Orchestra Language." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 17-20.
6. Vercoe, B. and Puckette, M. 1985. "Synthetic Rehearsal: Training the Synthetic Performer." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 275-278.
7. Puckette, M. 1986. "Shannon Entropy and the Central Limit Theorem." doctoral dissertation, Harvard University, 63 pp.
8. Favreau, E., Fingerhut, M., Koechlin, O., Potacsek, P., Puckette, M., and Rowe, R. 1986. "Software Developments for the 4X real-time System." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 43-46.
9. Puckette, M. 1986. "Interprocess communication and timing in real-time computer music performance," Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 43-46.
10. Brown, J. and Puckette, M. 1987. "Musical information from a narrowed autocorrelation function," Proceedings, International Computer Music Conference. San Francisco: Computer Music Association, pp. 84-88
11. Puckette, M. 1988. "The Patcher", Proceedings, ICMC. San Francisco: International Computer Music Association, pp. 420-429.
12. Brown, J. and Puckette, M. 1989. "Calculation of a Narrowed Autocorrelation Function," Journal of the Acoustical Society of America 85/4, pp. 1595-1601.
13. Puckette, M. 1989. "Max reference manual for version 2.0." IRCAM internal documentation, 31 pp.
14. Stautner, J. and Puckette, M. 1989. "Designing Multichannel Reverberators." The Music Machine . Ed, Curtis Roads. Cambridge: the MIT Press, pp 569-582.
15. Puckette, M. 1990. "Amplifying Musical Nuance." Journal of the Acoustical Society of America 87 (supplement 1): p. S39.
16. Puckette, M. 1990. "EXPLODE: A User Interface for Sequencing and Score Following," Proceedings, International Computer Music Conference, pp. 259-261.
17. Puckette, M. 1991. "FTS: A Real-time Monitor for Multiprocessor Music Synthesis." Computer Music Journal 15(3): pp. 58-67.
18. Puckette, M. 1991. "Combining Event and Signal Processing in the MAX Graphical Programming Environment." Computer Music Journal 15(3): 68-77.
19. Puckette, M. 1991. "Something Digital." (invited paper, Colloquium in Honor of John Pierce's 80th Birthday, Nov. 1990, Evanston, Ill) Computer Music Journal 15(4): pp. 65-69.
20. Puckette, M. and Zicarelli, D. 1991. MAX Development Package Manual. Palo Alto: Opcode, Inc.
21. Puckette, M. and Lippe, A. C. 1992. "Score Following in Practice." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 182-185.
22. Brown, J. C. and Puckette, M., 1992. "An Efficient Algorithm for the Calculation of a Constant Q Transform." Journal of the Acoustical Society of America 92, pp. 2698-2701.
23. Puckette, M. and Settel, J. 1993. "Nonobvious Roles for Electronics in Performance Enhancement." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 134-137.
24. Lippe, C., Puckette, M., Settel, Z., Puig, V., and Jullien, J.-P., 1993. "The IRCAM signal processing workstation and IRCAM Max user groups: future developments and platforms." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 446-448.
25. Brown, J. C. and Puckette, M. 1993. "A High-Resolution Fundamental Frequency Determination Based on Phase Changes of the Fourier Transform." Journal of the Acoustical Society of America 94/2, pp. 662-667.
26. Puckette, M. 1994. "Is there life after MIDI?" Special invited talk. Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, p. 2.
27. Dechelle, F., De Cecco, M., Puckette, M., and Zicarelli, D., 1994. "The IRCAM `real-time platform': evolution and perspectives." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 228-229.
28. Puckette, M. and Lippe, A. C. 1994. "Getting the Acoustic Parameters from a Live Performance." Proceedings of the International Conference for Musical Perception and Cognition (Liege, Belgium), pp. 63-65. (PDF)
29. Puckette, M. 1995. "Score following using the sung voice." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 175-178.
30. Otto, P. and Puckette, M. 1995. "Studio report, UCSD." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 269-272.
31. Puckette, M. 1995. "Formant-based audio synthesis using nonlinear distortion." JAES 43/1, pp. 40-47.
32. Puckette, M. 1995. "Synthese Parole Musique," patent number 94 02655 (France).
33. Puckette, M. 1995. "Phase-locked Vocoder." Proceedings, IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics. postscript; pdf.
34. Puckette, M. 1996. "Pure Data: another integrated computer music environment." Proceedings, Second Intercollege Computer Music Concerts, Tachikawa, Japan, pp. 37-41.
35. Puckette, M. 1996. "Process and device for musical and vocal dynamic sound synthesis by non-linear distortion and amplitude modulation" U.S. patent number 5,524,173.
36. Puckette, M. 1997. "Pure Data." Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 224-227.
37. Puckette, M. 1997. "Trevor Wishart: Audible Design." review, in CMJ 20/1, pp. 108-109.
38. Puckette, M. 1997. "Pure Data: recent progress." Proceedings, Third Intercollege Computer Music Festival, Tokyo, Japan, pp. 1-4.
39. Puckette, M. and Brown, J. 1998. "Accuracy of frequency estimates using the phase vocoder." IEEE Trans. Speech and Audio Processing 6/2, pp.166-176.
40. Puckette, M., Apel, T., and Zicarelli, D., 1998. "Real-time audio analysis tools for Pd and MSP". Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 109-112.
41. Puckette, M. 2001. Synthesizing Sounds with Specified, Time-Varying Spectra. Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 361-364. HTML... Postscript... PDF... Tex source
42. Puckette, M. 2001. New Public-Domain Realizations of Standard Pieces for Instruments and Live Electronics. Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 377-380. HTML... Postscript... PDF... Tex source
43. Puckette, M. 2002. "Max at seventeen." Computer Music Journal 26(4): pp. 31-43. HTML... PDF
44. Puckette, M. 2002. "Using Pd as a score language." Proceedings, ICMC, pp. 184-187.
45. Puckette, M. 2004. "A divide between `compositional' and `performative' aspects of Pd." First Internation Pd Convention, Graz, Austria. HTML... PDF... Tex source
46. Puckette, M. 2004. "Low-dimensional parameter mapping using spectral envelopes." Proceedings, ICMC, pp. 406-408. HTML... PDF
47. Puckette, M. 2004. "Who owns our software? - a first-person case study." Proceedings, ISEA, pp. 200-202. HTML... PDF
48. Puckette, M. 2005. "Phase bashing for sample-based formant synthesis." Proceedings, ICMC, pp. 733-736.
49. Puckette, M. 2005. "Some Mathematical Tools for Music-Making." Art+Math conference, Boulder, Co. HTML... PDF
50. Puckette, M. 2006. "Computing While Composing." Preface to the OM Composer's book (Carlos Agon et al., eds.), Editions Delatour France / IRCAM. HTML... PDF
51. Puckette, M. 2006. "Phase-bashed packet synthesis: a musical test." Proceedings, ICMC, pp. 507-510. HTML... PDF
52. Puckette, M. 2007. The Theory and Technique of Electronic Music . World Scientific Press, Singapore.
53. Puckette, M. 2007. "On timbre stamps and other frequency-domain filters." Proceedings, ICMC, V. 1, pp. 287-290. HTML... PDF
54. Puckette, M. 2007. "Patch for Guitar." Presented at the second Pd convention, Montreal. HTML... PDF
55. Puckette, M. 2009. "Etude de cas sur les logiciels pour artistes: Max/MSP et Pure Data" ("A case study in software for artists: Max/MSP and Pd)." In David-Olivier Lartigaud, Ed., Art++, Editions Hyx.
56. Puckette, M. 2010. "Grafting Synthesis Patches onto Live Musical Instruments." Proceedings, ICMC, pp. 250-253.
57. Puckette, M. 2011. "Infuriating Nonlinear Reverberator." Proceedings, ICMC.
58. Puckette, M. 2014. "The Deadly Embrace Between Music Software and Its Users." Online Proceedings, Electroacoustic Music Studies Conference, Berlin.
59. Puckette, M. 2014. "Processes in real-time computer music." Linux Audio Conference, Karlsruhe.
60. Puckette, M. 2015. "Maximally uniform sequences from stochastic processes." Online Proceedings, Seamus Conference.
61. Puckette, M. 2015. "The Sampling Theorem and its Discontents." Keynote presentation, ICMC 2015.
62. Puckette, M. 2017. "The Oscillator as a Dynamical System." Proceedings, KEAMSAC, pp. 39-42.
63. Puckette, M. 2017. "Four surprises of electronic music." Lumina 11(2), pp. 126-138.
64. Puckette, M. and K. Hagan, 2019. "Remnant: exploring presence and absence through acoustic disturbances in space." Proceedings, ICMC.
65. Puckette, M. and K. Hagan, 2020. "Hand gesture to timbre converter." Proceedings, ICMC.
66. Puckette, M., 2020. " Five Incitements for Electronic Music Makers." Ideas Sonoras 23 (Roberto Morales Manzanares, ed.)
67. Puckette, M., 2021. "The Null Piece and Reality Check." Vortex Music Journal.
68. Puckette, M., 2022. "A Quaternion-phase oscillator." Proceedings, DAFx.
69. Puckette, M., 2023. "Post-mix Vocoding and the making of All You Need Is Lunch." Proceedings, Sound and Music Computing.